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Woodstock: Interviews and Recollections : Interviews and Recollections
Featuring a foreword from legendary director Martin Scorcese,Woodstock: Interviews and Recollections combines stories, anecdotes, and perspectives from dozens of musicians and filmmakers about the making of the Academy Award-winning documentary Woodstock.Assembled by associate producer Dale Bell, the oral history takes readers behind the scenes—and behind the camera—at the decade-defining event.
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Doing Interviews
This is a concise introduction to the richness and scope of interviewing in social science research, teaching the craft of interview research with practical, hands-on guidance. Incorporating discussion of the wide variety of methods in interview-based research and the different approaches to reading the data, this book will help you to navigate the broad field of qualitative research with confidence and get out there and start collecting your data.
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Interpreting Interviews
Through the use of eight original metaphors for understanding what may happen in interviews and what may guide the interviewee (more than telling the truth or revealing experiences), the reader is encouraged to do interviews in clever ways.This text enables you to question the interpretive nature and theoretical underpinnings of the interview method, and of the knowledge which is conveyed through it. The updated second edition includes new content on: • How to avoid traps in interviews • How to use interviewees with experience and insight • How to work creatively with generative material • The value of repeat interviewing over time • The importance of supplementing interviews with other methods • Possibilities of interview-based research accompanied by examples This text is essential reading for upper undergraduate and postgraduate students of qualitative methods, and researchers looking to more clearly conceptualize their interviewing practice and explore its theoretical basis. Mats Alvesson is professor at University of Bath and is also affiliated with Lund University, Stockholm School of Economics and Bayes Business School.
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Harmony Korine : Interviews
Harmony Korine: Interviews tracks filmmaker Korine's stunning rise, fall, and rise again through his own evolving voice.Bringing together interviews collected from over two decades, this unique chronicle includes rare interviews unavailable in print for years and an extensive, new conversation recorded at the filmmaker's home in Nashville. After more than twenty years, Harmony Korine (b. 1973) remains one of the most prominent and yet subversive filmmakers in America.Ever since his entry into the independent film scene as the irrepressible prodigy who wrote the screenplay for Larry Clark's Kids in 1992, Korine has retained his stature as the ultimate cinematic provocateur.He both intelligently observes modern social milieus and simultaneously thumbs his nose at them.Now approaching middle age, and more influential than ever, Korine remains intentionally sensationalistic and ceaselessly creative. He parlayed the success of Kids into directing the dreamy portrait of neglect, Gummo, two years later.With his audacious 1999 digital video drama Julien Donkey-Boy, Korine continued to demonstrate a penchant for fusing experimental, subversive interests with lyrical narrative techniques.Surviving an early career burnout, he resurfaced with a trifecta of insightful works that built on his earlier aesthetic leanings: a surprisingly delicate rumination on identity (Mister Lonely), a gritty quasi-diary film (Trash Humpers), and a blistering portrait of American hedonism (Spring Breakers), which yielded significant commercial success.Throughout his career he has also continued as a mixed-media artist whose fields included music videos, paintings, photography, publishing, songwriting, and performance art.
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"Are job interviews pure fakery?"
Job interviews are not pure fakery, but they do involve a certain level of performance. Candidates are expected to present themselves in the best possible light and may not always be completely authentic in their responses. On the other hand, employers are also trying to sell the company and the position to the candidate, so there is an element of performance on their part as well. While there may be some level of fakery in job interviews, they are ultimately a necessary part of the hiring process to assess a candidate's qualifications and fit for the role.
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How do job interviews proceed?
Job interviews typically start with introductions and small talk to help establish rapport between the interviewer and the candidate. The interviewer then asks a series of questions to assess the candidate's qualifications, experience, and fit for the role. This is followed by the candidate asking questions about the company and the role. Finally, the interview usually ends with a discussion of next steps and a timeline for follow-up communication.
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How many expert interviews for BA?
There are typically around 5-10 expert interviews conducted for a Business Analysis (BA) project. The number of interviews can vary depending on the scope and complexity of the project, as well as the number of stakeholders involved. These interviews are crucial for gathering insights, requirements, and feedback from subject matter experts to ensure the success of the BA project.
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How do tattoos affect job interviews?
Tattoos can potentially affect job interviews depending on the industry and company culture. Some employers may view visible tattoos as unprofessional or not in line with their company image, which could impact their decision to hire a candidate. However, attitudes towards tattoos in the workplace are evolving, and many companies are becoming more accepting of visible body art. It's important for job seekers to consider the company's culture and dress code when deciding whether to display their tattoos during a job interview.
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Lois Weber : Interviews
Lois Weber (1879-1939) was one of early Hollywood's most successful screenwriter-directors.A one-time Church Army worker who preached from street corners, Weber began working in the American film industry as an actress around 1908 but quickly ascended to the positions of screenwriter and director.She wrote, directed, starred in, edited, and titled hundreds of movies during her career and is believed to be the first woman to direct a feature film.At the height of her influence, Weber used her medium to address pressing social issues such as birth control, abortion, capital punishment, poverty, and drug abuse.She gained international fame in 1915 with her controversial Hypocrites, a complex film that featured full female nudity as part of its important moral lesson.Her most famous film, Where Are My Children?, was the Universal studio's biggest box-office hit the following year and played to enthusiastic audiences around the globe.These productions and many others contributed to her standing as a truly world-class filmmaker. Despite her many successes, Weber was pushed out of the business in the 1930s as a result of Hollywood's institutionalized sexism.Shoved into the corners of film history, she remained a largely forgotten figure for decades.Lois Weber: Interviews restores her long-muted voice by reprinting more than sixty items in which she expressed her views on a range of filmic subjects.The volume includes interviews, articles that Weber wrote, the text of a speech she gave, and reconstructed conversations with her Hollywood coworkers.Lois Weber: Interviews provides key insights into one of our first great writer-directors, her many films, and the changing business in which she worked.
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Bertrand Tavernier : Interviews
Bertrand Tavernier (b. 1941–2021) was widely considered to be the leading light in a generation of French filmmakers who launched their careers in the 1970s in the wake of the New Wave.In just over forty years, he directed twenty-two feature films in an eclectic range of genres from intimate family portrait to historical drama and neo-Western.Beginning with his debut feature—L’Horloger de Saint-Paul (1974), which won the prestigious Louis Delluc prize—Tavernier showed himself to be a public intellectual.Like his films, he was deeply engaged with the pressing issues facing France and the world: the consequences of war, colonialism and its continuing aftermath, the price of heroism, and the power of art.A voracious cinephile, he was immensely knowledgeable about world cinema and American film in particular.Tavernier’s roots were in Lyon, the birthplace of the cinema.He founded and presided over the Institut Lumière, which hosts retrospectives and an annual film festival in the factory where the Lumière brothers made the first films. In this collection, containing numerous interviews translated from French and available in English for the first time, he discusses the arc of his career following in the lineage of the Lumière brothers, in that his goal, like theirs, is to "show the world to the world." It is no surprise, then, that an interview with Tavernier is a treat.Beginning with discussions of his own films, the interviews in this volume cover a vast range of topics.At the core are his thoughts about the ways cinema can inspire the imagination and contribute to the broadest possible public conversation.
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Asghar Farhadi : Interviews
The winner of two Academy Awards for Best Foreign Film in only five years, Asghar Farhadi (b. 1972) has become Iran’s most prominent director since the late Abbas Kiarostami.Around the world, especially in the international festival circuit, Farhadi is considered one of the great dramatist filmmakers of his generation.His reputation and influence in his home country is even greater, though also prone to misunderstandings, controversies, and divided critical reception. This volume offers a unique perspective into Farhadi's career in several key respects.Beginning with his work in television, the interviews collected here chart his rise from theater student to Iranian dramatist to celebrated international filmmaker.The majority of the interviews were conducted in Persian and have been translated into English for the first time. In the course of his career, Farhadi has become the new hope for Iran.On both nights of his Oscar wins, Iranians flooded the streets with joy in a rare (and illegal) celebration.Yet, like other contemporary Iranian filmmakers who have struggled to reconcile their national identity with their global repute as international filmmakers, Farhadi is at once feted and under fire by his own government.In addition to making recent films outside Iran, he has taken advantage of his celebrity status to make controversial statements on topics ranging from Donald Trump to poverty and capital punishment in Iran.He even asked Iran’s Judiciary to pardon Jafar Panahi, prompting the government to temporarily withdraw permission to shoot his renowned 2011 film A Separation.Asghar Farhadi: Interviews addresses the important dimensions that characterize contemporary Iranian filmmaking and shed light on what Farhadi sees as his role and responsibilities as an Iranian filmmaker in a global age.
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Russ Meyer : Interviews
Russ Meyer: Interviews offers a detailed look into the mind, life, and successful career of the maverick filmmaker Russ Meyer.Known for his audacious visual style and boundary-pushing content, Meyer (1922–2004) carved out a unique niche in the film industry with his provocative and often controversial works, including Faster, Pussycat!Kill! Kill!; Beyond the Valley of the Dolls; and Vixen! In this volume, Meyer talks over the course of eighteen newspaper and magazine interviews—conducted between the late 1960s and early 1990s—about assignments in still- and motion-picture combat photography during World War II, learning all aspects of the filmmaking craft when he was shooting industrial films after the war, later stumbling into the business of photographing pin-up girls for magazines, and how that segued into his first forays in what would become the sexploitation movie market. Working with small budgets and small crews, Meyer became a skilled director and pitchman for his own work, hitting the road with reels of film in his car, going from town to town, getting them shown in small moviehouses, building an audience, making big profits, then using them to make his next film.The films were expertly photographed, inventively edited, and featured intriguing (and violent, carnal, and funny) storylines, and ticket sales numbers eventually caught the eyes of the Hollywood studio system, for which Meyer briefly worked, before once again striking out on his own with ever-more violent, sexual, and cartoonish features.Meyer made fortunes, he lost fortunes, then he made them again, and he was always game for getting involved in controversy, which was easy due to the content of his films.After his final theatrical feature—Beneath the Valley of the Ultra-Vixens—in 1979, Meyer reinvented himself as an entrepreneur by making his films available on the burgeoning home video market, leaving him a celebrated and very wealthy man.
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How did the job interviews go?
The job interviews went well. I was able to showcase my skills and experience effectively, and I felt confident in my responses to the interview questions. The interviewers seemed impressed with my qualifications and were interested in my background. Overall, I believe I made a positive impression during the interviews.
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Which camcorders are suitable for interviews?
Camcorders that are suitable for interviews are those with good low-light performance, clear audio recording capabilities, and a versatile lens for capturing different angles. Look for camcorders with a microphone input for better sound quality and a flip-out screen for easy self-recording. Additionally, consider a camcorder with image stabilization to ensure steady footage, and a long battery life for extended recording sessions. Some popular options include the Sony FDR-AX53, Canon XA11, and Panasonic HC-X1000.
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Do celebrities get paid for interviews?
Yes, celebrities often get paid for interviews. Media outlets may offer payment to celebrities in exchange for exclusive interviews or to secure their appearance on a particular show or publication. Additionally, some celebrities may negotiate appearance fees or other compensation for their time and participation in interviews. However, the specific arrangements and amounts paid can vary widely depending on the celebrity's level of fame, the media outlet, and the nature of the interview.
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Hello, I have two job interviews.
That's great! Good luck with your interviews. Make sure to research the companies and prepare for common interview questions. Also, be sure to dress professionally and arrive on time. Lastly, remember to be confident and showcase your skills and experience. Best of luck!
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