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Aperture
Hannah Jadagu's debut album, "Aperture," is a whimsical journey through the mind of a young artist finding her voice in the indie pop landscape. With a sound that is equal parts dreamy and infectious, Jadagu effortlessly blends introspective lyrics with catchy melodies that will have you bopping along in no time. From the opening track "What Is Going On?" to the closing notes of "Whispering," Jadagu's songwriting shines through, taking the listener on a rollercoaster of emotions. Her breathy vocals float effortlessly over shimmering guitar riffs and playful synths, creating a sound that is uniquely her own. Standout tracks include the upbeat "Think Too Much," which will have you tapping your feet from the first chord, and the hauntingly beautiful "Yellowstone," a poignant reflection on lost love. Throughout the album, Jadagu proves herself to be a master storyteller, with each song painting a vivid picture of life's ups and downs. While "Aperture" may not reinvent the wheel, it is a solid debut from a promising young artist. Jadagu's playful charm and infectious energy shine through on every track, making this album a must-listen for fans of indie pop looking for something fresh and exciting. Keep an eye on Hannah Jadagu, because with talent like hers, the sky's the limit.
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Cosmologies : Aperture 244
This fall, Aperture magazine presents an issue exploring the idea of cosmologies—the origins, histories, and local universes that artists create for themselves. In an exclusive interview, Greg Tate speaks to Deana Lawson about how her monumental staged portraits trace cosmologies of the African diaspora. “What I’m doing integrates mythology, religion, empirical data, dreams,” says Lawson, whose work is the subject of major solo exhibitions this year at the Solomon R.Guggenheim Museum, New York, and Institute of Contemporary Art, Boston. In an in-depth profile of Judith Joy Ross and her iconic portraiture, Rebecca Bengal shows how a constellation of strangers is brought together through Ross’s precise, empathic gaze. “Ross is guided by a rapt, intense, wholehearted belief in the individual,” Bengal writes. A portfolio of Michael Schmidt’s acutely observed work from the 1970s and ’80s reveals the realms within realms of a once divided Berlin, while Feng Li’s surprising black-and-white snapshots zigzag between absurdist dramas in various Chinese cities.Ashley James distills the surreal visions of Awol Erizku’s still lifes and tableaux; Casey Gerald contributes a sweeping ode to Baldwin Lee’s stirring 1980s portraits of Black Southern subjects; and Pico Iyer meditates on Tom Sandberg’s grayscales marked by both absence and reverence. Throughout “Cosmologies,” artists cast their attention on the great mysteries of both personal and shared lineages, tracking their locations in space, time, and history, and reminding us of the elegant enigmas that can be unraveled close to home.
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Sleepwalking: Aperture 247
Sleepwalking: Aperture 247
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Aperture Laboratories mug.
Thinking with portals yet? The cake is a lie but this video game t-shirt is as real as your awesomeness! Portal guns not included with this purchase because let's face it: you're just gonna use it for pranks. You little devil.
Price: 14.95 € | Shipping*: Free €
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Aperture Red Blend 2017
Drink it now or cellar for up to 15 years. It is recommended to decant it for at least an hour. Located near downtown Healdsburg, Sonoma County, Californian winery Aperture was founded in 2009 by Jesse Katz, son of famed photographer Andy Katz. After following his father on his travels to some of the most famous vineyards around the world, from Burgundy to Tuscany, Jesse decided to settle in Sonoma to produce wines that encompass the best of the new and old world. This wine is a fantastic blend made up of Malbec and Merlot. The grapes are selected and harvested by hand from hilly vineyards in the Alexander Valley, where the soil and climatic characteristics ensure the production of small berries characterized by an exceptional aromatic concentration. The wine is aged for 18 months in French oak, achieving excellent maturation and velvety softness. The Aperture Red Blend has an intense and concentrated olfactory profile with aromas of ripe red fruits typical of the Malbec and Merlot varieties. On the palate, the wine reveals once again a great concentration of fruit with an elegant and silky tannic backbone. The finish is long and rich. Thanks to its powerful but fine structure, this wine goes perfectly with red meat, especially grilled, or roast lamb.
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70thAnniversary Issue : Aperture 248
Anniversary issue features seven original commissions by leading photographers and artists, and seven essays about Aperture’s legacy by award-winning writers and criticsThis fall, Aperture celebrates seventy years in print with an issue that explores the magazine’s past while charting its future.Reflecting on the founding editors’ original mission and drawing on Aperture’s global community of photographers, writers, and thinkers, this issue features seven original artist commissions as well as seven essays by some of the most incisive writers working today––each engaging with the magazine’s archive in distinct ways. Among the original artist commissions, Iñaki Bonillas selects iconic images and texts from the Aperture’s archive from the 1950s to produce open-ended narrative collages.Dayanita Singh reflects on the 1960s and the family album as a serious photographic form.Yto Barrada enacts sculptural interventions to issues and spreads from the 1970s, using remnants of the late artist Bettina Grossman’s color paper cutouts.Mark Steinmetz draws inspiration from the magazine’s Summer 1987 issue, “Mothers & Daughters,” to compose a photo essay of his wife, the photographer Irina Rozovsky, and their daughter Amelia.Considering the matrix of censorship, art, and religion in the 1990s, John Edmonds creates a tableau about family, faith, and grief.Hannah Whitaker explores the turn of the century, and the ways in which our anxieties about technology create speculative worlds. And Hank Willis Thomas draws on Aperture’s issues from the 2010s to create a series of collages that reference traditional quilt patterning, revivifying history and remixing the present. Looking back upon Aperture’s legacy, Darryl Pinckney reconsiders the photographer and editor Minor White, whose vision shaped the magazine for nearly two decades, beginning in the 1950s.Olivia Laing writes about the 1960s and the tensions between reportage and artistry in the work of Dorothea Lange, W.Eugene Smith, and others. Geoff Dyer revisits to the 1970s, which he considers a decade of new ideas and deeper reflection on the medium, looking into the works of William Eggleston and Ralph Eugene Meatyard.Brian Wallis looks back at the politics, art, identity, and the “culture wars” of the 1980s, while Susan Stryker reflects on Aperture’s archive from the 1990s and its foregrounding of identity beyond the gender binary, evoking Catherine Opie, Elaine Reichek, and Aperture’s pathbreaking “Male/Female” issue.Lynne Tillman illustrates how photographers searched for the tangible in an increasingly digital world in the 2000s, and the Pulitzer Prize-winning critic Salamishah Tillet shows how the photo album became a source of connection and narrative amid the information overabundance of the 2010s.
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Future Gender: Aperture 229
Future Gender: Aperture 229
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New York : Aperture 242
With its vibrant street life, vast media industry, and influence on the fashion world, New York has long been considered the capital of photography.Since last March, though, life in the city has been altered in unthinkable ways due to the Covid-19 health crisis and the protests in support of Black lives. Aperture’s New York issue will be released on the one-year anniversary of the city’s shut down due to the Covid-19 crisis.The issue will honor community and public space in the city and highlight the distinct ways in which this city has fostered a vital image culture.Contributions will include Jamel Shabazz’s decades-long chronicle of Black life in the city; Deana Lawson’s distinct vision of Brooklyn; Vince Aletti on the tradition of the “New York issue” in magazine publishing; a conversation between Philip Montgomery and Kathy Ryan, Director of Photography at The New York Times Magazine; as well as highlights from a range of unique photo archives in the city.Additional contributors may include An-My Le?, Farah Al Qasimi, Ari Macropolous, Ryan McGinley, Irina Rozovksy, Olivia Laing, Jim Jarmusch, among others.
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